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Greg Griggs wrote:
You know how I feel about it, my friend. Can't wait to have the chance to oogle and get my grimy fingers all over it when the beauty arrives. ;) Like you and Nathan, I'm especially intrigued by the scabbard. The project as a whole should be an exceptionally nice add-on to your collection.

-Greg


I might let 'cha touch it, if you talk dirty to me. ;)
Damn, that's pretty, Patrick. I am just at the beginning of my wait for his Abingdon Sword. :( But the time period will give me enough time to finsh saving up the funds. I can only hope tha the dollar doesn't contiue its precipitous slide against the EURO.
Hugh Fuller wrote:
Damn, that's pretty, Patrick. I am just at the beginning of my wait for his Abingdon Sword. :( But the time period will give me enough time to finsh saving up the funds. I can only hope tha the dollar doesn't contiue its precipitous slide against the EURO.


Thanks Hugh. The exchange rate was one of the things that influenced my decision when Patrick asked to change the order to something celtic. I've been wanting a sword like this one and it's nearly half the price of the original order, so it's a good choice all the way around.
A Question
Hi Patrick ... I hadn't thought you were interested in Migration Era Swords, is this
a new direction or just me missing things ?

Also, did you or have the two of you considered a change-up in the design of the
wood fittings ? Something less " standard " looking, if you follow -- which is NOT
to say the idea won't look outstanding. B-)
Matthew, I don't believe that the sword is Migration Era. It appears more La Tene Celtic, and Pre-Roman to me.
Re: A Question
Matthew G.M. Korenkiewicz wrote:
Hi Patrick ... I hadn't thought you were interested in Migration Era Swords, is this
a new direction or just me missing things ?

Also, did you or have the two of you considered a change-up in the design of the
wood fittings ? Something less " standard " looking, if you follow -- which is NOT
to say the idea won't look outstanding. B-)


Actually, I have a huge interest in migration era weapons, but this ain't one. ;) I'm absolutely fascinated by migration era swords, the composite use of different materials in their construction is hugely interesting to me. The highly decorated helms of the period are great and don't get me started on helms using things like horn plates, such as the Benty Grange example, oh my. Whenever the word "heroic" springs to mind I always envision figures dressed in migration era kit, ala Beowulf, etc. The only reason I don't own several swords of that design is because there really aren't any satisfactory ones on the production market and custom jobs are hugely expensive. In spite of the cost, after this project is done I'm going to place another order with Patrick and it will be a migration era sword, with a ring hilt.

This current project represents a celtic sword from the mid-La Tene era, also known as La Tene 2. Roughly 100-150 B.C. I've always been highly intrigued by celtic arms and culture. Their metal working was second to none for the era and more advanced than most. (as was their culture in many ways) I'm also fascinated by their artwork and its incorporation into their arms, hence my choice to go with the fully engraved scabbard on this sword. I'm as excited about that as the sword itself.

I haven't considered any change to the hilt and probably won't. This hilt is similar to Nate Bells sword and I like the way that one felt in the hand as well as liking the overall design. There are similar if vague designs in some period artwork so even if Patrick is a bit creative with the hilt the basic principle won't be far from the established norm. Since hardly any celtic swords retain their hilt components I don't really want to get too far away from standard because of the danger of getting into fantasy territory. Besides, as I've said before I prefer to be a very hands-off customer and like to give the maker a lot of creative freedom, without hamstringing them with my ideas.


Last edited by Patrick Kelly on Wed 10 Jan, 2007 4:23 pm; edited 1 time in total
Wow Patrick! That looks beautiful! I can't wait to see how it turns out. :D
Here's some further information I received from Patrick concerning the swords design.

Here are two swords that served as inspiration.

Number three in this photo. One of the swords Patrick was able to have in-hand is very similar to this one and is located in Moravia.
[ Linked Image ]

[ Linked Image ]

His comments on the hilt design.
Quote:
The hilts of 99% of celtic swords aren´t known,my design is in
accordance with well-known bas-relief from Pergamon with celtic
weapons.
Thanks Patrick! I don't believe I've ever seen a La Tene blade shaped quite like these before, though to be honest I might simply have been missing some of the subtleties as a result of my preconceptions. The slight but noticeable "waisting" on these examples is really very elegant. This is an exciting project indeed, I can't wait to see it take shape.
Thanks Hugh, Patrick, My bad -- I stand corrected ! B-)

Having based a project of my own on a historical representative, I enjoy seeing you
have as well. It will be exciting if you're able to share updates and the eventual result.


Hugh Fuller wrote:
Matthew, I don't believe that the sword is Migration Era. It appears more La Tene Celtic, and Pre-Roman to me.
C.L. Miller wrote:
Thanks Patrick! I don't believe I've ever seen a La Tene blade shaped quite like these before, though to be honest I might simply have been missing some of the subtleties as a result of my preconceptions. The slight but noticeable "waisting" on these examples is really very elegant. This is an exciting project indeed, I can't wait to see it take shape.


In the second photo I don't know how much of the waisting can be attributed to corrosion over design. (then again, I haven't had the things in hand and won't presume to argue with someone who has) Number three in the first photo definitely looks to be in good shape, so as to give us a clear indication of its design.

I'm very eager to see this one completed.
Patrick, I cannot remember where I read it, but I have read somewhere that the waisted design of the Mainz gladius was not really the design but of over sharpening!?! Another overcooked theory, IMO.
Hugh Fuller wrote:
Patrick, I cannot remember where I read it, but I have read somewhere that the waisted design of the Mainz gladius was not really the design but of over sharpening!?! Another overcooked theory, IMO.


I'd agree, on the theory being overcooked. It would be awfully coincidental for a blade to be worn down by sharpening yet still maintain an equal proportion in its profile. A similar claim could be made about number three in the first photo. However, in that instance I'd find that level of wear so far back on the blade, well behind the blades primary cutting area, to be a bit unusual.
How much would a replica like this cost
Piet Van Dam wrote:
How much would a replica like this cost


Patrick quoted me a price of 1000 euro.
Just a quick update: Last week I received a message from Patrick stating the blade had been forged and was going to heat treatment next. We're moving along. :D
Patrick Kelly wrote:
Just a quick update: Last week I received a message from Patrick stating the blade had been forged and was going to heat treatment next. We're moving along. :D


That's $1312 according to a currency converter: Seems like a good price for a custom forged sword of the quality and aesthetics one can expect from such a talented maker. :cool:
PK received word today from Mr. Barta that the Celtic sword is finished. All I have to say is WOW!!!!! This is one beautiful sword and scabbard. Love how the combo works so well. Congrats to Patrick on another fine work of art to add to his collection. Am I jealous? Darn tootin I am!!! :D

[ Linked Image ]
[ Linked Image ]
Good God... It looks to be one of Bárta's best yet. Please do congratulate Patrick for us! The contrasting wood and bone in the hilt, the bronze accents, that scabbard.... gorgeous.
LaTene swords are not necessarily my thing, but that one could convert me! :D
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