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New type Z/weird viking sword from Michael Pikula
I wanted to share a sword that I just finished up today. This is a commission that I am doing with Tim Lison, and there is a scabbard in progress, but wanted to take a few minutes to share the sword since I think it turned out great. It is based off of an original and was my first time working with hollow guards in addition to a hollow pommel. For the grip we decided to use stag and Tim suggested mimicked the carving off a find published in Lech Marek's book "Early Medieval Swords from Central and Eastern Europe" I decided do make the grip as a set of scales since I think it was one way that it could have been done, as well as ensure that the outer layer of the stag wasn't ground through and expose the softer marrow on the inside. I wanted to create a mechanical bond around the scales as an added safety measure, so I decided to add two bands of silver wire around the top and base.

Here are a few stats.
Length overall: 37"
Blade Length: 30.6"
Blade width at guard: 2.5"
Weight : 2lb 11oz
Point of Balance: 4” forward of guard
Point of rotation and forward node: 20" forward of guard


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That is an amazingly beautiful sword! Where was the original from?
Very well done Michael.
Viking sword
Very very nice Michael, looks fantastic!

best
Dave
That's beautiful. You are truly an artist Michael.
Vincent C wrote:
That is an amazingly beautiful sword! Where was the original from?


I would guess Historiska Museet in Stockholm.
Tim was looking for pictures of it some time ago.

And I agree it really looks fantastic.

/Viktor
Remarkably Celtic! Earlier today, saw a photo of a Del Tin Celtic sword (DT201A, anthropomorphic hilt), and this has a very similar overall visual appearance. If one had bad eyesight, and no glasses, one could mistake one for the other.
I was thinking of this one,

[ Linked Image ]

/Viktor
Very nice reproduction of that sword!

I was looking at it in the museum a while back and wondering if someone's was ever going to make an authentic repro of it instead of the somewhat "inspired" pieces between this one and another similar one we see all over that don't look right, and now you have and in a spectacular manner to boot!
I've seen reindeer antler handle halves very similar to the scales you used, though with a different carved motif, so its definitely most plausible. It also looks great, especially the way it follows the lines of the hilt pieces like that. ;)
Very well done! One of my favorite original swords. Very unique.
Wonderful work Michael!
Brilliant work, Michael! :) Lets get a Tod's Stuff scabbard on that sword, stat! :D
Looks great Michael! This was a fun project to see come together. I love working with Michael as he is really good about communication, providing regular updates with photos. It's really cool to see this sword finished and I can't wait to get it in my hands! Michael will be making a scabbard for it so I still have to wait a bit. Seeing these pictures doesn't help my patience...
Tim Lison wrote:
Michael will be making a scabbard for it so I still have to wait a bit.


Sounds equally appealing. Congratulations on an amazing piece, and best of luck with your patience!
Tim Lison wrote:
Looks great Michael! This was a fun project to see come together. I love working with Michael as he is really good about communication, providing regular updates with photos. It's really cool to see this sword finished and I can't wait to get it in my hands! Michael will be making a scabbard for it so I still have to wait a bit. Seeing these pictures doesn't help my patience...


I agree completely about working with Michael really feels like " working with " the maker as he listens to one's objectives and intent in a project and contributes with his own suggestions and it's often a good idea to give him general direction but let him make most of the design decisions. ( At times even better to just let him loose and micromanage as little as possible. ;) :lol: ).

Hollow guard and pommel: It would be interesting to learn how he did this ? Castings would work in bronze or maybe even silver
( expensive ! ), but these look like steel and since Michael usually does his work by forging it must be a " tour de force " to forge hollow pieces ?

I have trouble imagining how one would do this ? Maybe in two pieces and then forged welded into a closed unit ?

Well, maybe Michael can chime in with some details on how the guard and pommel was made.

Congratulation Tim on being the happy owner of this sword. :D

His sword does look very close to the original and is superb: Strange how the original design look weirdly modern or " Art deco ", very organic and geometric at the same time.

Anyway, a very attractive piece and one I would greatly enjoy to handle if it was possible. ;) :D :cool:
Heh. Compare it to Windlass's version: http://kultofathena.com/images/501054_2_l.jpg

One of these is better than the other. I'll give you three guesses as to which one it is, and the first two don't count.
That's a most impressive piece of work - both the original and this new masterpiece. I'm surprised the CoG came out at 4", especially as the hilt furniture is hollow as described. Do we know that the original was hollow?

By the way, I used to have one of those Windlass versions. Other than the poor balance, unhistorical proportions, lousy harmonics, and loose pommel, it wasn't so bad. ;)
OK, I don't understand. Its a breathtaking, wonderfully crafted sword patterned after an existing historical example; why is is "weird"?
Ken Speed wrote:
OK, I don't understand. Its a breathtaking, wonderfully crafted sword patterned after an existing historical example; why is is "weird"?



Weird only meaning surprising and unexpected design. ( Unless one has seen the original before or taken notice of it )

And like I said the design is very Art Deco to my eye, but this isn't a bad thing, only a personal observation. :D :cool:
Just Wow! You are an inspiration, Michael.
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